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Posts Tagged ‘Emily Littlejohn’

Ballard and Bosch. Sounds like an accounting firm, or maybe a couple of interior designers. Actually, Renee Ballard and Harry Bosch are two of Michael Connelly’s most appealing and complex series detectives. Introduced in last year’s The Late Show, Ballard works the night shift at Hollywood Station, camping on the beach with her dog during the day. Bosch, the veteran cop of 20-plus books, now works cold cases for the San Fernando P.D., and in the deft procedural Dark Sacred Night (Little Brown, library hardcover), he teams with Ballard to investigate the disappearance of teen Daisy Clayton. The narrative focus alternates between the two rule-benders, both of whom are sidetracked by their own cases. A heist from a dead woman’s house, a porno movie studio operating out of the back of a van, and a run-in with a vicious gang leader tied to Mexican drug dealers end up linking to the cold case and a serial killer. Ballard and Bosch — BOLO for their next adventure.

An English country house during a sultry summer, unreliable narrators harking back to past events, a pair of mysterious lovers, an outsider yearning to belong. Claire Fuller’s involving Bitter Orange (Tin House Books, digital galley) reminds me of one of Ruth Rendell/Barbara Vine’s serpentine  suspense novels. In 1969, Frances Jellicoe, an unsophisticated 39, spies on the private lives of couple Peter and Cara when they end up sharing quarters in a derelict mansion owned by an American millionaire. Things are not what they seem, to say the least, and there’s a creeping dread as Frances recalls that summer from a hospital bed years later. There will be blood. And a body.

Speaking of English country houses, Liane Moriarty cheerfully channels Agatha Christie in Nine Perfect Strangers (Flatiron Books, purchased hardcover), although she subs a posh Australian health resort for the requisite house. Romance writer Frances Welty, whose career and love life are trending downward, is among the nine people hoping to transform their lives in 10 days. Others taking part in the regimen of diets, meditation, facials, etc. include an aging jock, a divorced mom, a grieving midwife and her schoolteacher husband. All have their secrets and all have their say, as does the mysterious Masha, the Russian executive running  things. For a long time, not much happens except a lot of mindful living, but then the plot takes a turn. In fact, it goes completely off the rails, but I kept on flipping pages so fast I got a paper cut, although not as bad as the one Frances suffers from early on.

V.I. Warshawski is all in for friends and family in Sara Paretsky’s Shell Game (HarperCollins, digital galley). First, the Chicago detective’s friend Lottie asks for help with her great-nephew Felix, a Canadian-born engineering student who is mixed up in the murder of a man of Middle Eastern descent. Then, Harmony Seale, the niece of Warshawski’s ex-husband, attorney Richard Yarborough, shows up from Portland looking for her missing sister Reno. Richard had helped Reno find a job with a sleazy pay-day lender, but claims to know nothing about her present whereabouts. The intrepid sleuth doesn’t take kindly to slammed doors and unsubtle hints to mind her own business, which is why she’s soon sorting out corporate intrigue, insurance scams, Russian mobsters, ISIS supporters and the blackmarket trade in priceless antiquities and artwork. The case is complicated and timely; both the pace and detective are relentless.

First, a young curator at a Colorado history museum vanishes on an overnight camping trip. Next, a valuable historical diary disappears from the same museum before a fund-raising gala. Then there’s a murder at the museum after hours. Detective Gemma Malone stays more than busy in Emily Littlejohn’s satisfying third mystery, Lost Lake (St. Martin’s Press, digital galley). A new mother, Malone continues to be an appealing character as she untangles a family’s secret history and the rumored curse of the icy, isolated lake.

 

If you’re looking for a taut legal thriller, you won’t find it in John Grisham’s The Reckoning (Doubleday, digital galley). There is some courtroom drama, but this is one of Grisham’s slice-of-life Southern sagas set in Clanton, Miss., place-centered and character-driven. In 1946, war hero and family man Pete Banning walks into a church and shoots the pastor dead. “I have nothing to say,” Banning tells the sheriff, and he stubbornly refuses any explanation to family, friends, judge and jury. It takes years — and flashbacks to World War II and the town’s history — before Grisham allows a reckoning with the truth.

 

Lou Berney’s noir-tinged November Road (HarperCollins, digital galley) is a crime novel, a road novel and a love story, all taking off from the November 1963 Kennedy assassination. Frank Guidry is a New Orleans mob fixer on the run from a hired killer when he stops to help Oklahoma housewife Charlotte Roy and her two kids heading for a new life in California. Stopping is Frank’s first mistake, falling for Charlotte is his second. Don’t  make a mistake and miss this one.

 

 

 

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P.D. James’ The Mistletoe Murders was an unexpected holiday treat last year. This year, it’s Sleep No More (Knopf, digital galley), which collects six more tales from the late writer best known for her Adam Dalgliesh detective novels. No Dalgliesh in these stories, but readers will recognize James’ artful scene setting, elegant prose and ironic twists. “The Murder of Santa Claus” is a classic locked-room mystery told with a sly wink as writer Charles Mickledore looks back to Christmas 1939, when he was a lonely schoolboy shipped off to a relative’s country house. His tyrannical host lords it over his assorted guests until he is murdered shortly after making his post-midnight rounds as Santa. In “The Victim,” we know whodunit as a milk-toast librarian confesses to taking revenge on the new husband of his beautiful ex-wife. But the ending may surprise, as do those of “The Yo-Yo” and “A Most Desirable Resident,” in which murder is also seen as a means to an end.  In “Mr. Millcroft’s Birthday,” a conniving octogenerian in a senior home turns the tables on his greedy heirs. And in the creepy “The Girl Who Loved Graveyards,” an orphan’s shadowy memories of her late father and grandmother are intertwined with her affinity for cemeteries. I guessed where this one was going, but the devil’s in the details. Brrrr…

Clea Simon immerses readers and her new series sleuth,  music journalist Tara Winton, in the 1980s Boston club scene in the noir-tinged World Enough (Severn House, ARC). Tara once covered the city’s punk rock bands for fanzines that paid little but gave her needed access. Now working in a dull corporate communications job, Tara is drawn back to the heady, long-ago times when her former editor asks her to write a piece on Boston bands for his glossy city magazine. The assignment coincides with the accidental death of musician Frank Turcotte, although Tara wonders if her old friend, sober for 20 years, really just fell down the stairs. And could his death be connected to that of once rising star Chris Crack back in the day? She soon discovers that digging into the past can prove dangerous, but letting go just isn’t in her nature. Once a reporter, always a reporter. Simon knows what’s she writing about.

Actress Krysten Ritter is well-known for her roles on TV’s Breaking Bad and Marvel’s Jessica Jones, but I wouldn’t be surprised to see her playing the lead in a film adaptation of Bonfire (Crown, Archetype, digital galley). After all, Ritter wrote the book, and it’s easy to picture her as Chicago environmental lawyer Abby Williams, who returns to her Indiana hometown after 10 years to investigate its most influential employer. But looking into Optimal Plastics’ possible pollution of Barrows’ water supply and its ties to local government means Abby must confront her own past. Snubbed in high school by the popular set, Abby is rattled by her old classmates. The boy she once crushed on is now an Optimal spokesman, a former cheerleader is an assistant high school principal, a bad-boy slacker has become a responsible single dad. And then there’s Kaycee, Abby’s sometimes childhood friend, who was always at the center of things before she suddenly disappeared. Inevitably, Abby’s questions about Optimal lead to questions about Kaycee, but Ritter generates suspense and an air of immediacy with her present-tense narrative. Don’t wait for the movie.

So what are the chances of two crime novels being published within a month of each other, both featuring small-town police detectives named Gemma, each investigating the murder of a high school teacher? Nor do the similarities between Emily Littlejohn’s A Season to Lie (St. Martin’s/Minotaur, digital galley) and Sarah Bailey’s The Dark Lake (Grand Central, digital galley) end there. Both Gemmas have live-in boyfriends with whom they have a child, both face on-the-job challenges, both are attractive, determined and flawed. And both deal with bad weather, although that means different things to the detectives. Gemma Monroe (A Season to Lie) battles blizzards in Cedar Valley in Colorado, while Gemma Woodstock (The Dark Lake) has to worry about a Christmas heat wave and wildfires in the Australian town of Smithson.  A Season to Lie is the second outing for Monroe, who was six months pregnant in Littlejohn’s Inherit the Bones. Now that baby Grace is three months old, her mom is hoping to ease back into work, but on her first night back, she and her partner discover a murdered man on the snowy campus of a private high school. The victim is famous author Delaware Fuente, a visiting lecturer using an alias while at Valley Academy. Fuente has other secrets, as do the close-knit townspeople who are split over the question of development by outsiders. There’s also an anonymous bully known as Grimm, who is terrorizing the academy students. And does another death mean a serial killer is at work? It’s a neatly plotted procedural. The Dark Lake, Bailey’s first novel, is more intricate in its secret-keeping. Gemma Woodstock went to high school with beautiful Rosalind Ryan, the popular drama teacher whose drowned body is found after opening night of her modernized version of Romeo and Juliet. Past collides with present as Gemma recalls the suicide of her high school boyfriend, whose younger brother is playing Romeo. Gemma also is juggling an affair with her married partner and her homelife with staid boyfriend Scott and toddler son Ben. Bailey alternates present-day events with Gemma’s flashbacks to high school and her rivalry with Rosalind. The time jumps make for an uneven pace as the investigation unfolds, but a nail-biting showdown atop a water tower offers a killer ending.

 

 

 

 

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